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TV & Film

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Director William Oldroyd speaks on ‘Eileen’ and the art of adapting a romantic mystery

By Murjani Rawls

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‘Good Burger 2’ is the same order with some interchangeable condiments

By Murjani Rawls

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‘Raging Grace’ moves like a gothic mystery, more about the dangerous plights of immigrant workers

By Murjani Rawls

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‘Monarch: Legacy of Monsters’ episode 3 review: War and the impulsiveness it creates

By Murjani Rawls

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‘Monarch: Legacy of Monsters’ episode 2 review: Abandon ship!

By Murjani Rawls

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‘The Curse’ episode 3 review: The ails of TikTok curses and the biases attached to “good” deeds

By Murjani Rawls

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Dave Filoni named Lucasfilm Chief Creative Officer

By Andy Silva

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‘The Hunger Games: The Ballad of Songbirds & Snakes’ is more than a franchise continuance cash grab

By Murjani Rawls

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‘The Curse’s second episode speaks to trying to belong in a place that doesn’t want you

By Murjani Rawls

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‘Wish’ is Disney’s immense IP catalog parade that loses the story within

By Murjani Rawls

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‘Bye Bye Barry’ explains the selfless nature of the Lions great and why he walked away from the game he loved

By Murjani Rawls

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‘Monarch: Legacy of Monsters’ premiere is a story of hidden families and kaiju destruction

By Murjani Rawls

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‘Dream Scenario’s Kristoffer Borgli speaks on societal phenomenons, influencer culture, and how his film shapes it all

By Murjani Rawls

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‘The Curse’ premiere episode puts all those HGTV shows and their creators under intense bright lights

By Murjani Rawls

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Sony’s Spider-Verse is building up projects with no Parker to ponder (yet)

By Murjani Rawls

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These are some SAG-AFTRA contract details to note before members vote on the deal

By Pete Hernandez

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‘Saltburn’ loses ground in trying to convince you it’s underplaying its clear eat-the-rich- theme

By Murjani Rawls

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‘Thanksgiving’ is where the ‘Grindhouse’ trailer becomes a lean and funny slasher

By Murjani Rawls

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‘Next Goal Wins’ gives off more red card flavor than goal-scoring celebrations

By Murjani Rawls

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‘Invincible’s second episode feels the tug of the many sub plots it has to service

By Murjani Rawls

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‘Divinity’ is Eddie Alcazar’s weird, lascivious, and wild take on immortality’s burden

By Murjani Rawls

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The Skrulls continue to get the rawest deal in the MCU

By Murjani Rawls

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‘Coyote vs. Acme’ is the latest victim to Hollywood’s tax write-off problem

By Murjani Rawls

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‘The Killer’ has David Fincher and Michael Fassbender combine for an entertaining, stoic portrait of an assassin

By Murjani Rawls

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‘Loki’ season finale is all about the change of a glorious purpose and legacy

By Murjani Rawls

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Rejoice! SAG-AFTRA reaches tentative deal with studios

By DKNetworkStaff

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‘The Marvels’ crosses the finish line on the might and charm of its trio

By Murjani Rawls

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Awkwafina and Sandra Oh liven up ‘Quiz Lady’ as sisters with highly different personalities

By Murjani Rawls

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‘The Mill’ criticizes the exploitative methods of capitalism and wanes due to the film’s length

By Murjani Rawls

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‘Fingernails’ places love’s natural order and a sci-fi-like process on opposite ends

By Murjani Rawls

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‘Invincible’s season two reentry sees the sins of the father and how they affect the son (and the world)

By Murjani Rawls

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‘Nyad’ declares its perseverance theme loudly inside the rough tide of storytelling

By Murjani Rawls